subjects in a sketchy, or, as some critics contend, in a rough imperfect
manner, while others find that this treatment of detail, combined with a
careful, comprehensive treatment of the important parts, emphasizes the
meaning and imparts strength to the whole, as no smoothness can do.

Although the highest possibilities in sculpture may not yet be reached,
it is animated with new spirit of life and nature. Nineteenth-century
aims and modes of expression have greatly enlarged its province. Like
Painting, Sculpture has become democratic. It glorifies Labor and all
that is comprised in the term "common, every-day life," while it also
commemorates noble and useful deeds with genuine sympathy and an
intelligent appreciation of the best to which humanity attains; at the
same time poetical fancies, myths, and legends are not neglected, but are
rendered with all possible delicacy and tenderness.

At present a great number of women are sculptors. The important
commissions which are given them in connection with the great expositions
of the time--the execution of memorial statues and monuments, fountains,
and various other works which is confided to them, testifies to their
excellence in their art with an emphasis beyond that of words.

* * * * *

Want of space forbids any special mention of etching, metal work,
enamelling, designing, and decorative work in many directions in which
women in great numbers are engaged; indeed, in what direction can we look
in which women are not employed--I believe I may say by thousands--in all
the minor arts? Between the multitude that pursue the Fine Arts and
kindred branches for a maintenance--and are rarely heard of--and those
fortunate ones who are commissioned to execute important works, there is