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Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. by Clara Erskine Clement
page 45 of 448 (10%)

ACHILLE-FOULD, MLLE. GEORGES. Medal, third class, Versailles, 1888;
honorable mention, Paris Salon, 1894; medal, third class, 1895; medal,
second class, 1897; Hors Concours; bronze medal at Paris Exposition,
1900. Officer of Public Instruction; member of the Société des Artistes
Français. Born at Asnières (Seine). Pupil of Cabanel, Antoine Vollon, and
Léon Comerre.

A painter of figure subjects and portraits. Several of her works are in
private collections in the United States. Among these are the
"Flower-Seller," the "Knife-Grinder," "M. de Richelieu's Love Knots,"
exhibited in the Salon of 1902, and "Going to School."

"The Dull Season" is in London; "Cinderella" and many others in Paris.

This artist, when still in short skirts, sent her first picture, "In the
Market Place," to the Salon of 1884. She is most industrious, and her
history, as she herself insists, is in her pictures. She has been
surrounded by a sympathetic and artistic atmosphere. Her mother was an
art critic, who, before her second marriage to Prince Stirberg, signed
her articles Gustave Haller. Her home, the Château de Bécon, is an ideal
home for an artist, and one can well understand her distaste for realism
and the professional model.

"M. de Richelieu's Love Knots" is very attractive and was one of the
successes of 1902. He is a fine gentleman to whom a bevy of young girls
is devoted, tying his ribbons, and evidently admiring him and his
exquisite costume. The girls are smiling and much amused, while the young
man has an air of immense satisfaction.

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