Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. by Clara Erskine Clement
page 53 of 448 (11%)
page 53 of 448 (11%)
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ANGUISCIOLA, LUCIA. A pupil of her sister Sofonisba, painted a
life-size portrait of Piermaria, a physician of Cremona. It is in the gallery of the Prado, Madrid, and is signed, "Lucia Angvisola Amilcares. F. Adolescens." Lucia's portrait of her sister Europa is at Brescia. Some authorities believe that the small portrait in the Borghese Gallery is by Lucia, although it has been attributed to Sofonisba. Vasari relates that Europa and a younger sister, Anna Maria, were artists. A picture of the Holy Family, inscribed with Europa's name, was formerly in the possession of a vicar of the church of San Pietro; it was of far less merit than the works of her sisters. ANGUISCIOLA, SOFONISBA. Born in Cremona, about 1539. Daughter of the patrician, Amilcare Anguisciola, whose only fame rests on the fact that he was the father of six daughters, all of whom were distinguished by unusual talents in music and painting. Dear old Vasari was so charmed by his visit to their palace that he pronounced it "the very home of painting and of all other accomplishments." Sofonisba was the second daughter. The actual date of her birth is unknown, but from various other dates that we have concerning her, that given above is generally adopted. She was educated with great care and began her study of drawing and painting when but seven years old, under the care of Bernardino Campi, the best artist of the five Campi of Cremona. Later she was a pupil of Bernardino Gatti, "il Sojaro," and in turn she superintended the artistic studies of her sisters. |
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