Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. by Clara Erskine Clement
page 61 of 448 (13%)
page 61 of 448 (13%)
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industry and devotion to her work have enabled her to rival sculptors who
live by their art. Her busts and lesser subjects are refined and delicate, while possessing a certain individuality which this lady is known to exercise in her direction of the assistant she is forced to employ. Her chief attainment, the large seated figure of Queen Victoria in Kensington Gardens, is a work of which she may well be proud. Of this statue Mr. M. H. Spielmann writes: "The setting up of the figure, the arrangement of the drapery, the modelling, the design of the pedestal--all the parts, in fact--are such that the statue must be added to the short list of those which are genuine embellishments to the city of London." The Duchess of Argyll has been commissioned to design a statue of heroic size, to be executed in bronze and placed in Westminster Abbey, to commemorate the colonial troops who gave up their lives in South Africa in the Boer war. ARNOLD, ANNIE R. MERRYLEES. Born at Birkenhead. A Scotch miniature painter. Studied in Edinburgh, first in the School of Art, under Mr. Hodder, and later in the life class of Robert Macgregor; afterward in Paris under Benjamin-Constant. Mrs. Arnold writes me that she thinks it important for miniature painters to do work in a more realistic medium occasionally, and something of a bolder character than can be done in their specialty. She never studied |
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