Book-bot.com - read famous books online for free

Women in the fine arts, from the Seventh Century B.C. to the Twentieth Century A.D. by Clara Erskine Clement
page 63 of 448 (14%)
various exhibitions at Brussels between 1830 and 1848, and in Ghent
between 1835 and 1838. Her portraits, which are thought to be very good
likenesses, are also admirable in color, drawing, and modelling; and her
portrait of Leopold I., which she painted in 1839, won for her the
appointment at court.



ASSCHE, ISABEL CATHERINE VAN. She was born at Brussels, 1794.
Landscape painter. She took a first prize at Ghent in 1829, and became a
pupil of her uncle, Henri van Assche, who was often called the painter of
waterfalls. As early as 1812 and 1813 two of her water-colors were
displayed in Ghent and Brussels respectively, and she was represented in
the exhibitions at Ghent in 1826, 1829, and 1835; at Brussels in 1827 and
1842; at Antwerp in 1834, 1837, and 1840; and at Lüttich in 1836. Her
subjects were all taken from the neighborhood of Brussels, and one of
them belongs to the royal collection in the Pavilion at Haarlem. In 1828
she married Charles Léon Kindt.



ATHES-PERRELET, LOUISE. First prize and honorable mention, class
Gillet and Hébert, 1888; class Bovy, first prize, 1889; Academy class,
special mention, 1890; School of Arts, special mention, hors concours,
1891; also, same year, first prize for sculpture, offered by the Society
of Arts; first prize offered by the Secretary of the Theatre, 1902.
Member of the Union des Femmes and Cercle Artistique. Born at Neuchâtel.
Studies made at Geneva under Mme. Carteret and Mme. Gillet and Professors
Hébert and B. Penn, in drawing and painting; M. Bovy, in sculpture; and
of various masters in decorative work and engraving. Has executed
DigitalOcean Referral Badge