popular. Of her success in this design, the following testimony from a
competent authority, the _Calcutta Literary Gazette_, is distinct
and decisive; and with this extract we may fitly close our melancholy
office: "Nothing can be more minute and faithful than her pictures of
external life and manners. She does not, indeed, go much beneath the
surface, nor does she take profound or general views of human nature;
but we can mention no traveller, who has thrown upon the printed page
such true and vivid representations of all that strikes the eye of
a stranger. Her book, entitled _Scenes and Characteristics of
Hindostan_, is the best of its kind. Other travellers have excelled
her in depth and sagacity of remark, in extent of information, and in
mere force or elegance of style; but there is a vivacity, a delicacy,
and a truth in her light sketches of all that lay immediately before
her, that have never been surpassed in any book of travels that is
at this moment present to our memory. She had a peculiar readiness in
receiving, and a singular power of retaining, first impressions of the
most minute and evanescent nature. She walked through a street or a
bazaar, and every thing that passed over the mirror of her mind left
a clear and lasting trace. She was thus enabled, even years after a
visit to a place of interest, to describe every thing with the same
freshness and fidelity as if she had taken notes upon the spot.
They who have gone over the same ground are delighted to find in
the perusal of her pages their own vague and half-faded impressions
revived and defined by her magic glass, while the novelty and
vividness of her foreign pictures make her home-readers feel that they
are nearly as much entitled to be called travellers as the fair author
herself."


[Footnote A: The first appeared in the Journal for December, 1832.]