Composition-Rhetoric by Stratton D. Brooks
page 55 of 596 (09%)
page 55 of 596 (09%)
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Word memory has its uses, but it is less valuable than image memory. It is
necessary to distinguish carefully between the images that a writer presents and the words that he uses. If a botany lesson should consist of a description of fifteen different leaves, a pupil deficient in image memory will attempt to memorize the language of the book. A better-trained pupil, on meeting such a term as _serrated_, will ask himself: "Have I ever seen such a leaf? Can I form an image of it?" If so, his only task will be to give the new name, _serrated_, to the idea that he already has. In a similar way he will form images for each of the fifteen leaves described in the lesson. The language of the book may help him form these images, but he will make no attempt to commit the language to memory. With him, "getting the lesson" means forming images and naming them, and reciting the lesson will be but talking about an image that he has clearly in mind. Try this in your own lessons. If we are called upon to reproduce the incidents and scenes of some story that has been read to us, our success will depend upon the clearness of the images that we have formed. Our efforts should be directed to making the images as definite and vivid as possible, and our memory will be concerned with the recalling of these images in their proper order, and not with the language that first caused them to appear. EXERCISES 1. Report orally some interesting incident taken from a book which you have recently read. Do not reread the story. Use such language as will cause the class to form clear mental images. 2. Report orally upon some chapter selected from Cooper's _Last of the |
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