quick-sighted, he was often apt to be hasty in conclusions from
imperfect or insufficient premisses; but even about what he saw most
clearly he was willing to hold himself in suspense, when he found that
there was something more to know. Cardinal Newman has noted two
deficiencies which, in his opinion, were noticeable in Froude. "He had
no turn for theology as such"; and, further, he goes on: "I should say
that his power of entering into the minds of others was not equal to his
other gifts"--a remark which he illustrates by saying that Froude could
not believe that "I really held the Roman Church to be antichristian."
The want of this power--in which he stood in such sharp contrast to his
friend--might be either a strength or a weakness; a strength, if his
business was only to fight; a weakness, if it was to attract and
persuade. But Froude was made for conflict, not to win disciples. Some
wild solemn poetry, marked by deep feeling and direct expression, is
scattered through his letters,[24] kindled always by things and thoughts
of the highest significance, and breaking forth with force and fire. But
probably the judgment passed on him by a clever friend, from the
examination of his handwriting, was a true one: "This fellow has a great
deal of imagination, but not the imagination of a poet." He felt that
even beyond poetry there are higher things than anything that
imagination can work upon. It was a feeling which made him blind to the
grandeur of Milton's poetry. He saw in it only an intrusion into the
most sacred of sanctities.

It was this fearless and powerful spirit, keen and quick to see
inferences and intolerant of compromises, that the disturbances of Roman
Catholic Emancipation and of the Reform time roused from the common
round of pursuits, natural to a serious and thoughtful clergyman of
scholarlike mind and as yet no definite objects, and brought him with
all his enthusiasm and thoroughness into a companionship with men who