false air of scrupulosity, which was part of their game with each other.
He looked some more at the picture, and then he glanced from it at me.
"There's a very curious story connected with that sketch."

"Oh, well, tell it," Minver said. "Tell it! I suppose I can stand it
again. Acton's never heard it, I believe. But you needn't make a show of
sparing him. I _couldn't_ stand that."

"I certainly haven't heard the story," I said, "and if I had I would be
too polite to own it."

Minver's brother looked towards the open door over his shoulder, and
Minver interpreted for him: "She's not coming. I'll give you due
warning."

"It was before we were married, but not much before, and the picture was
a sort of wedding present for my wife, though Blakey made a show of
giving it to me. Said he had painted it for me, because he had a
prophetic soul, and felt in his bones that I was going to want a picture
of the place where I first met her. You see, it's the little villa her
mother had taken that winter on the Viale Petrarca, just outside of
Florence. It _was_ the first place I met her, but not the last."

"Don't be obvious," Minver ordered.

His brother did not mind him. "I thought it was mighty nice of Blakey.
He was barking away, all the time he was talking, and when he wasn't
coughing he was so hoarse he could hardly speak above a whisper; but he
kept talking on, and wishing me happy, and fending off my gratitude,
while he was finding a piece of manila paper to wrap the sketch in, and