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The Art of Fencing - The Use of the Small Sword by Monsieur L'Abbat
page 12 of 101 (11%)
the Left Knee over the Point of the same Foot, keeping the Right Knee a
little bent, that it may have a Freedom of Motion.

The Body must be upright, which gives it a better Air, greater Strength,
and more Liberty to advance and retire, being supported almost equally
by the two Feet. Some Masters teach to keep the Body back in Favour of
Measure, which cannot be broke by the Body when 'tis already drawn back,
tho' it is often necessary, not only to avoid a Surprize, but also to
deceive a Man of superior Swiftness who pushes a just Length: Therefore
'tis much better to have the Liberty of retiring to avoid the Thrusts of
the Adversary, or of extricating yourself by advancing towards him and
pushing (as I shall observe in its proper Place) than to keep the Body
in one Situation at a Distance, which being fixed, cannot deceive a
Person who knows any thing of Measure; moreover, such a Retention of
the Body does not only hinder the breaking Measure with the Body, but
also the Left Leg is so oppressed with its whole Weight, that it would
find it difficult to retire upon Occasion.

The Elbows must be almost on a Line, and of an equal Height, that one
Shoulder may not be higher than the other, and that they may be both
turn'd alike; the Left Hand must be over against the Top of the Ear, the
Hilt of the Sword a little above the Hip, turning towards Half _Quart_,
the Thumb extended, pressing the Middle of the Eye of the Hilt, keeping
the Fingers pretty close to the Handle, especially the little one, in
order to feel the Sword firmer and freer in the Hand.

By feeling the Sword, is meant commanding the Fort and Feeble equally
with the Hand, in order to communicate to the more distant Part of the
Blade, as well as to that which is nearer, the Motion and Action that is
requisite.
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