than this coincidence is that Sterne should have been either unaware
of it, or should have omitted mention of it in the above passage.]

There is, as has been observed, a certain mixture of the comic and the
pathetic in the life-history of this obscure father of a famous
son. His life was clearly not a fortunate one, so far as external
circumstances go; but its misfortunes had no sort of consoling dignity
about them. Roger Sterne's lot in the world was not so much an unhappy
as an uncomfortable one; and discomfort earns little sympathy, and
absolutely no admiration, for its sufferers. He somehow reminds us
of one of those Irish heroes--good-natured, peppery, debt-loaded,
light-hearted, shiftless--whose fortunes we follow with mirthful and
half-contemptuous sympathy in the pages of Thackeray. He was obviously
a typical specimen of that class of men who are destitute alike of the
virtues and failings of the "respectable" and successful; whom many
people love and no one respects; whom everybody pities in their
struggles and difficulties, but whom few pity without a smile.

It is evident, however, that he succeeded in winning the affection of
one who had not too much affection of the deeper kind to spare for any
one. The figure of Roger Sterne alone stands out with any clearness by
the side of the ceaselessly flitting mother and phantasmal children of
Laurence Sterne's Memoir; and it is touched in with strokes so vivid
and characteristic that critics have been tempted to find in it
the original of the most famous portrait in the Shandy gallery. "My
father," says Sterne, "was a little, smart man, active to the last
degree in all exercises, most patient of fatigue and disappointments,
of which it pleased God to give him full measure. He was, in his
temper, somewhat rapid and hasty, but of a kindly, sweet disposition,
void of all design, and so innocent in his own intentions, that he