buttoned perils, the ruthless exaggeration of tight-legged tight-armed
evening dress, now formed but the basis of a wealth of dignity and
drooping folds. Graceful slenderness abounded also. To Graham, a
typically stiff man from a typically stiff period, not only did these men
seem altogether too graceful in person, but altogether too expressive in
their vividly expressive faces. They gesticulated, they expressed
surprise, interest, amusement, above all, they expressed the emotions
excited in their minds by the ladies about them with astonishing
frankness. Even at the first glance it was evident that women were in a
great majority.

The ladies in the company of these gentlemen displayed in dress, bearing
and manner alike, less emphasis and more intricacy. Some affected a
classical simplicity of robing and subtlety of fold, after the fashion of
the First French Empire, and flashed conquering arms and shoulders as
Graham passed. Others had closely-fitting dresses without seam or belt at
the waist, sometimes with long folds falling from the shoulders. The
delightful confidences of evening dress had not been diminished by the
passage of two centuries.

Everyone's movements seemed graceful. Graham remarked to Lincoln that he
saw men as Raphael's cartoons walking, and Lincoln told him that the
attainment of an appropriate set of gestures was part of every rich
person's education. The Master's entry was greeted with a sort of
tittering applause, but these people showed their distinguished manners
by not crowding upon him nor annoying him by any persistent scrutiny, as
he descended the steps towards the floor of the aisle.

He had already learnt from Lincoln that these were the leaders of
existing London society; almost every person there that night was either