corners of the mouth, one must have aid of 'the good Rhine wine,' and be
of German blood unmixed besides. This treble-Dutch lumbersomeness of the
Comic spirit is of itself exclusive of the idea of Comedy, and the poor
voice allowed to women in German domestic life will account for the
absence of comic dialogues reflecting upon life in that land. I shall
speak of it again in the second section of this lecture.

Eastward you have total silence of Comedy among a people intensely
susceptible to laughter, as the Arabian Nights will testify. Where the
veil is over women's-faces, you cannot have society, without which the
senses are barbarous and the Comic spirit is driven to the gutters of
grossness to slake its thirst. Arabs in this respect are worse than
Italians--much worse than Germans; just in the degree that their system
of treating women is worse.

M. Saint-Marc Girardin, the excellent French essayist and master of
critical style, tells of a conversation he had once with an Arab
gentleman on the topic of the different management of these difficult
creatures in Orient and in Occident: and the Arab spoke in praise of many
good results of the greater freedom enjoyed by Western ladies, and the
charm of conversing with them. He was questioned why his countrymen took
no measures to grant them something of that kind of liberty. He jumped
out of his individuality in a twinkling, and entered into the sentiments
of his race, replying, from the pinnacle of a splendid conceit, with
affected humility of manner: '_You_ can look on them without
perturbation--but _we_!' . . . And after this profoundly comic
interjection, he added, in deep tones, 'The very face of a woman!' Our
representative of temperate notions demurely consented that the Arab's
pride of inflammability should insist on the prudery of the veil as the
civilizing medium of his race.