Those who detect irony in Comedy do so because they choose to see it in
life. Poverty, says the satirist, has nothing harder in itself than that
it makes men ridiculous. But poverty is never ridiculous to Comic
perception until it attempts to make its rags conceal its bareness in a
forlorn attempt at decency, or foolishly to rival ostentation. Caleb
Balderstone, in his endeavour to keep up the honour of a noble household
in a state of beggary, is an exquisitely comic character. In the case of
'poor relatives,' on the other hand, it is the rich, whom they perplex,
that are really comic; and to laugh at the former, not seeing the comedy
of the latter, is to betray dulness of vision. Humourist and Satirist
frequently hunt together as Ironeists in pursuit of the grotesque, to the
exclusion of the Comic. That was an affecting moment in the history of
the Prince Regent, when the First Gentleman of Europe burst into tears at
a sarcastic remark of Beau Brummell's on the cut of his coat. Humour,
Satire, Irony, pounce on it altogether as their common prey. The Comic
spirit eyes but does not touch it. Put into action, it would be
farcical. It is too gross for Comedy.

Incidents of a kind casting ridicule on our unfortunate nature instead of
our conventional life, provoke derisive laughter, which thwarts the Comic
idea. But derision is foiled by the play of the intellect. Most of
doubtful causes in contest are open to Comic interpretation, and any
intellectual pleading of a doubtful cause contains germs of an Idea of
Comedy.

The laughter of satire is a blow in the back or the face. The laughter
of Comedy is impersonal and of unrivalled politeness, nearer a smile;
often no more than a smile. It laughs through the mind, for the mind
directs it; and it might be called the humour of the mind.