the unknown and herself had on her mind the effect of the invading
Bard's prelude in the Castle of Indolence, at which myriads of
imprisoned shapes arose where had previously appeared the stillness of a
void.

Involved in these imaginings she knew nothing of time. When she became
conscious of externals it was dusk. The furze-rick was finished; the men
had gone home. Eustacia went upstairs, thinking that she would take a
walk at this her usual time; and she determined that her walk should be
in the direction of Blooms-End, the birthplace of young Yeobright and
the present home of his mother. She had no reason for walking elsewhere,
and why should she not go that way? The scene of the daydream is
sufficient for a pilgrimage at nineteen. To look at the palings before
the Yeobrights' house had the dignity of a necessary performance.
Strange that such a piece of idling should have seemed an important
errand.

She put on her bonnet, and, leaving the house, descended the hill on the
side towards Blooms-End, where she walked slowly along the valley for a
distance of a mile and a half. This brought her to a spot in which the
green bottom of the dale began to widen, the furze bushes to recede
yet further from the path on each side, till they were diminished to
an isolated one here and there by the increasing fertility of the soil.
Beyond the irregular carpet of grass was a row of white palings, which
marked the verge of the heath in this latitude. They showed upon the
dusky scene that they bordered as distinctly as white lace on velvet.
Behind the white palings was a little garden; behind the garden an old,
irregular, thatched house, facing the heath, and commanding a full view
of the valley. This was the obscure, removed spot to which was about
to return a man whose latter life had been passed in the French