less extravagant episode, in which the heath dimly appeared behind the
general brilliancy of the action. She was dancing to wondrous music, and
her partner was the man in silver armour who had accompanied her through
the previous fantastic changes, the visor of his helmet being closed.
The mazes of the dance were ecstatic. Soft whispering came into her ear
from under the radiant helmet, and she felt like a woman in Paradise.
Suddenly these two wheeled out from the mass of dancers, dived into one
of the pools of the heath, and came out somewhere into an iridescent
hollow, arched with rainbows. "It must be here," said the voice by her
side, and blushingly looking up she saw him removing his casque to kiss
her. At that moment there was a cracking noise, and his figure fell into
fragments like a pack of cards.

She cried aloud. "O that I had seen his face!"

Eustacia awoke. The cracking had been that of the window shutter
downstairs, which the maid-servant was opening to let in the day, now
slowly increasing to Nature's meagre allowance at this sickly time of
the year. "O that I had seen his face!" she said again. "'Twas meant for
Mr. Yeobright!"

When she became cooler she perceived that many of the phases of the
dream had naturally arisen out of the images and fancies of the day
before. But this detracted little from its interest, which lay in the
excellent fuel it provided for newly kindled fervour. She was at the
modulating point between indifference and love, at the stage called
"having a fancy for." It occurs once in the history of the most gigantic
passions, and it is a period when they are in the hands of the weakest
will.