Delsarte System of Oratory by Various
page 48 of 576 (08%)
page 48 of 576 (08%)
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_Their importance._--Sound, we have said, is the language of man in the sensitive state. We call inflections the modifications which affect the voice in rendering the emotions of the senses. The tones of the voice must vary with the sensations, each of which should have its note. Of what use to man would be a phonetic apparatus always rendering the same sound? Delivery is a sort of music whose excellence consists in a variety of tones which rise or fall according to the things they have to express. Beautiful but uniform voices resemble fine bells whose tone is sweet and clear, full and agreeable, but which are, after all, bells, signifying nothing, devoid of harmony and consequently without variety. To employ always the same action and the same tone of voice, is like giving the same remedy for all diseases. "_Ennui_ was born one day from monotony," says the fable. Man has received from God the privilege of revealing the inmost affections of his being through the thousand inflections of his voice. Man's least impressions are conveyed by signs which reveal harmony, and which are not the products of chance. A sovereign wisdom governs these signs. With the infant in its cradle the signs of sensibility are broken cries. Their acuteness, their ascending form, indicate the weakness, and physical sorrow of man. When the child recognizes the tender cares of its mother, its voice becomes less shrill and broken; its tones have a less acute range, and are more poised and even. The larynx, which is very impressionable and the thermometer of the sensitive life, becomes modified, and produces sounds and inflections in perfect unison with the sentiments they convey. |
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