4. It neither rises nor falls in hesitation.

5. Interrogation is expressed by the rising inflection when we do not
know what we ask; by the falling, when we do not quite know what we ask.
For instance, a person asks tidings of his friend's health, aware or
unaware that he is no better.

6. Musical tones should be given to things that are pleasing. Courtiers
give musical inflections to the words they address to royalty.

7. Every manifestation of life is a song; every sound is a song. But
inflections must not be multiplied, lest delivery degenerate into a
perpetual sing-song. The effect lies entirely in reproducing the same
inflection. A drop of water falling constantly, hollows a rock. A
mediocre man will employ twenty or thirty tones. Mediocrity is not the
too little, but the too much. The art of making a profound impression is
to condense; the highest art would be to condense a whole scene into one
inflection. Mediocre speakers are always seeking to enrich their
inflections; they touch at every range, and lose themselves in a
multitude of intangible effects.

8. In real art it is not always necessary to fall back upon logic. The
reason needs illumination from nature, as the eye, in order to see,
needs light. Reason may be in contradiction to nature. For instance, a
half-famished hunter, in sight of a good dinner, would say: "I am
_hungry_" emphasizing _hungry_, while reason would say that _am_ must be
emphasized. A hungry pauper would say: "I _am_ hungry," dwelling upon
_am_ and gliding over _hungry_. If he were not hungry, or wished to
deceive, he would dwell upon _hungry_.