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Pastoral Poetry and Pastoral Drama - A Literary Inquiry, with Special Reference to the Pre-Restoration - Stage in England by Walter W. Greg
page 26 of 656 (03%)
sometimes supposed, was a far rarer accomplishment, and was restricted for
the most part to a few linguistic scholars. Thus before the revival of
learning had made Greek a possible source of literary inspiration, the
Vergilian tradition, through the instrumentality of Petrarch and
Boccaccio, had already made itself supreme in pastoral[18].

During the middle ages the stream of pastoral production, though it
nowhere actually disappears, is reduced to the merest trickle. Notices of
such isolated poems as survive have been carefully collected by
Macrì-Leone in the introduction to his elaborate but as yet unfinished
work on the Latin eclogue in the Italian literature of the fourteenth
century. As early as the end of the fourth or beginning of the fifth
century we find a poem by Severus Sanctus Endelechius, variously entitled
'Carmen bucolicum de virtute signi crucis domini' or 'de mortibus boum.'
It is a hymn to the saint cross, and in it for the first time the pastoral
suffered violence from the tyranny of the religious idea. The 'Ecloga
Theoduli' alluded to by Chaucer in the _House of Fame_[19] appears to be
the work of an Athenian writer, and is ascribed to various dates ranging
from the fifth to the eighth centuries. While preserving as its main
characteristic a close subservience to its Vergilian model, the eclogue
participated in the general rise of allegory which marked the later middle
ages. Pastoral colouring of no very definite order had shown itself in the
elegies of Alcuin in the eighth century, as also in the 'Conflictus veris
et hiemis,' traditionally ascribed to the Venerable Bede, but more
probably the work of one Dodus, a disciple of Alcuin. Of the tenth century
we possess an allegorical religious lament entitled 'Ecloga duarum
sanctimonialium.' About 1160 a Benedictine monk named Metellus composed
twelve poems under the title of _Bucolica Quirinalium_, in honour of St.
Quirinus and in obvious imitation of Vergil. Reminiscences and paraphrases
of the Roman poet are scattered throughout the monk's own barbarous
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