Pastoral Poetry and Pastoral Drama - A Literary Inquiry, with Special Reference to the Pre-Restoration - Stage in England by Walter W. Greg
page 26 of 656 (03%)
page 26 of 656 (03%)
![]() | ![]() |
|
sometimes supposed, was a far rarer accomplishment, and was restricted for
the most part to a few linguistic scholars. Thus before the revival of learning had made Greek a possible source of literary inspiration, the Vergilian tradition, through the instrumentality of Petrarch and Boccaccio, had already made itself supreme in pastoral[18]. During the middle ages the stream of pastoral production, though it nowhere actually disappears, is reduced to the merest trickle. Notices of such isolated poems as survive have been carefully collected by Macrì-Leone in the introduction to his elaborate but as yet unfinished work on the Latin eclogue in the Italian literature of the fourteenth century. As early as the end of the fourth or beginning of the fifth century we find a poem by Severus Sanctus Endelechius, variously entitled 'Carmen bucolicum de virtute signi crucis domini' or 'de mortibus boum.' It is a hymn to the saint cross, and in it for the first time the pastoral suffered violence from the tyranny of the religious idea. The 'Ecloga Theoduli' alluded to by Chaucer in the _House of Fame_[19] appears to be the work of an Athenian writer, and is ascribed to various dates ranging from the fifth to the eighth centuries. While preserving as its main characteristic a close subservience to its Vergilian model, the eclogue participated in the general rise of allegory which marked the later middle ages. Pastoral colouring of no very definite order had shown itself in the elegies of Alcuin in the eighth century, as also in the 'Conflictus veris et hiemis,' traditionally ascribed to the Venerable Bede, but more probably the work of one Dodus, a disciple of Alcuin. Of the tenth century we possess an allegorical religious lament entitled 'Ecloga duarum sanctimonialium.' About 1160 a Benedictine monk named Metellus composed twelve poems under the title of _Bucolica Quirinalium_, in honour of St. Quirinus and in obvious imitation of Vergil. Reminiscences and paraphrases of the Roman poet are scattered throughout the monk's own barbarous |
|