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Pastoral Poetry and Pastoral Drama - A Literary Inquiry, with Special Reference to the Pre-Restoration - Stage in England by Walter W. Greg
page 81 of 656 (12%)
To this double origin may be ascribed a certain noticeable vitality that
characterizes English pastoral composition. Since this quality has been
habitually overlooked by literary historians, I may be excused for
dwelling on it somewhat in this place. The stigma which, not altogether
undeservedly, attaches to pastoral as a whole has tempted critics to
confine their attention to the more notable examples of the kind, and to
treat these as more or less sporadic manifestations. Thus they have
failed, on the whole, to appreciate the relation in which these works
stand to the general pastoral tradition, which was mainly carried on in
works of little individual interest. It is no blame to them if they
considered that these undistinguished productions were of small importance
in the general history of literature: any one who goes through them with
care will probably arrive at a not very dissimilar conclusion.
Nevertheless the fact remains that the neglect of them has obscured both
the relative positions of the greater and more enduring works, and also
the general nature of the pastoral tradition in this country. That
tradition I believe to have been of a far more noteworthy character than
has hitherto been realized. I am not, of course, prepared to maintain that
pastoral composition in England ever attained, as a whole, to the rank of
great literature, or that it formed such a remarkable body of work as we
find, for example, in the Arcadian drama of Italy. But when we come to
regard the pastoral production of this country in the light of a more or
less connected tradition, it is impossible not be struck by the
originality and diversity of the various forms which it assumed. Though as
a literary kind it never rivalled its Italian model in fertility, it
evinced an individual and versatile quality which we seek in vain in other
countries. To substantiate this claim and to show how far the vitality of
the English pastoral was due to its hybrid origin will be my chief aim in
this chapter. When I come to deal with the main subject of this inquiry it
will be necessary to determine how far similar considerations apply in the
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