Pastoral Poetry and Pastoral Drama - A Literary Inquiry, with Special Reference to the Pre-Restoration - Stage in England by Walter W. Greg
page 88 of 656 (13%)
page 88 of 656 (13%)
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Ut hoy! &c.
* * * * * Now must I go there Christ was born, Farewell! I come again to-morn, Dog, keep well my sheep fro the corn! And warn well Warroke when I blow my horn! Ut hoy! &c.[80] So, again, in the delightful poem that has won for Robert Henryson the title of the first English pastoralist the warm blood of natural feeling yet runs full. _Robene and Makyne_ stands on the threshold of the sixteenth century, a modest and pastoral counterpart of the _Nut-Brown Maid_, as evidence that there were poets of purely native inspiration capable of writing verses every whit as perfect in form as anything produced by the Italianizers of the next generation, and commonly far more genuine in feeling. Even in the work of Surrey and Wyatt themselves we find poems which, were it not for the general tradition to which they belong, one would have no difficulty in regarding as a natural development and conventionalization of the native tendency. Such is the _Harpelus' Complaint_ of 'Tottel's Miscellany.' This was originally printed among the poems of uncertain authors, but when it re-appeared in _England's Helicon_, in 1600, it was subscribed with Surrey's name. The ascription does not carry with it much authority, but is in no way inherently improbable.[81] The opening stanzas may be quoted as conveying a fair idea of the whole, which sustains its character of sprightly elegance for over a hundred lines, ending with the luckless Harpelus' epitaph: Phylida was a fayer mayde, |
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