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Pastoral Poetry and Pastoral Drama - A Literary Inquiry, with Special Reference to the Pre-Restoration - Stage in England by Walter W. Greg
page 96 of 656 (14%)


II


In the _Shepherd's Calender_ we have the one pastoral composition in
English literature which can boast first-rate historical importance. There
are not a few later productions in the kind which may be reasonably held
to surpass it in poetic merit, but all alike sink into insignificance by
the side of Spenser's eclogues when the influence they exercised on the
history of English verse is taken into account. The present is not of
course the place to discuss this wider influence of Spenser's work: it is
with its relation to pastoral tradition and its influence upon subsequent
pastoral work that we are immediately concerned. This is an aspect of the
_Shepherd's Calender_ to which literary historians have naturally devoted
less attention. These two reasons--namely, the intrinsic importance of the
work and the neglect of its pastoral bearing--must excuse a somewhat
lengthy treatment of a theme that may possibly be regarded as already
sufficiently familiar.

The _Shepherd's Calender_[90], which first appeared in 1579, was published
without author's name, but with an envoy signed 'Immerito.' It was
dedicated to Sir Philip Sidney, and contained a commentary by one E. K.,
who also signed an epistle to Master Gabriel Harvey, fellow of Pembroke
College, Cambridge. 'Immerito' was a name used by Spenser in his familiar
correspondence with Harvey, and can in any case have presented no mystery
to his Cambridge friends. Among these must clearly be reckoned the
commentator E. K., who may be identified with one Edward Kirke with all
but absolute certainty.[91] Within certain well defined limits we may also
accept E. K. as a competent exponent of his friend's work, and his
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