Pastoral Poetry and Pastoral Drama - A Literary Inquiry, with Special Reference to the Pre-Restoration - Stage in England by Walter W. Greg
page 96 of 656 (14%)
page 96 of 656 (14%)
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II In the _Shepherd's Calender_ we have the one pastoral composition in English literature which can boast first-rate historical importance. There are not a few later productions in the kind which may be reasonably held to surpass it in poetic merit, but all alike sink into insignificance by the side of Spenser's eclogues when the influence they exercised on the history of English verse is taken into account. The present is not of course the place to discuss this wider influence of Spenser's work: it is with its relation to pastoral tradition and its influence upon subsequent pastoral work that we are immediately concerned. This is an aspect of the _Shepherd's Calender_ to which literary historians have naturally devoted less attention. These two reasons--namely, the intrinsic importance of the work and the neglect of its pastoral bearing--must excuse a somewhat lengthy treatment of a theme that may possibly be regarded as already sufficiently familiar. The _Shepherd's Calender_[90], which first appeared in 1579, was published without author's name, but with an envoy signed 'Immerito.' It was dedicated to Sir Philip Sidney, and contained a commentary by one E. K., who also signed an epistle to Master Gabriel Harvey, fellow of Pembroke College, Cambridge. 'Immerito' was a name used by Spenser in his familiar correspondence with Harvey, and can in any case have presented no mystery to his Cambridge friends. Among these must clearly be reckoned the commentator E. K., who may be identified with one Edward Kirke with all but absolute certainty.[91] Within certain well defined limits we may also accept E. K. as a competent exponent of his friend's work, and his |
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