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Pastoral Poetry and Pastoral Drama - A Literary Inquiry, with Special Reference to the Pre-Restoration - Stage in England by Walter W. Greg
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which the eclogue is composed. For the 'March' Spenser recasts in English
surroundings Bion's fantasy of the fight with Cupid, without however
achieving any conspicuous success. In the April eclogue Hobbinol recites
to the admiring Thenot Colin's lay

Of fayre Eliza, Queene of shepheardes all,
Which once he made as by a spring he laye,
And tuned it unto the Waters fall.

This lay is in an intricate lyrical stanza which Spenser shows
considerable skill in handling. The following lines, for instance, already
show the musical modulation characteristic of much of his best work:

See, where she sits upon the grassie greene,
(O seemely sight!)
Yclad in Scarlot, like a mayden Queene,
And ermines white:
Upon her head a Cremosin coronet,
With Damaske roses and Daffadillies set:
Bay leaves betweene,
And primroses greene,
Embellish the sweete Violet.

In the 'May' we return to the four-beat accentual measure, this time
applied to a discussion by the herdsmen Palinode and Piers of the
lawfulness of Sunday sports and the corruption of the clergy. Here we have
a common theme treated from an individual point of view. The eclogue is
interesting as showing that the author, whose opinions are placed in the
mouth of the precise Piers; belonged to what Ben Jonson later styled 'the
sourer sort of shepherds.' A fable is again introduced which is of a
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