gathered from the many widely scattered branches of the family
that a single family of Laniers originally lived in France,
and that the fact of the name alone might with perfect security
be taken as a proof of kinship. On account of their nomadic habits,
due to their continual movement from place to place during two hundred years,
he found it difficult to make out a complete family history.
He was not, nor have his relatives and later investigators been,
able to find material for the study of the Laniers in their original home.
At one time he expressed a wish that President Hayes would appoint him
consul to southern France. Certainly he was at home there
in imagination and spirit from the time when as a boy he felt
the fascination of Froissart's "Chronicles".

One of the keenest pleasures he had in later life was to discover
in the Peabody Library at Baltimore a full record of the Lanier family
in England. In investigating the state of art in Elizabeth's time
he came across in Walpole's "Anecdotes of Painting" references to
Jerome and Nicholas Lanier, whose careers he followed
with his accustomed zeal and industry through the first-hand sources which
the library afforded. There is no more characteristic letter of Lanier's
than that written in 1879 to Mr. J. F. D. Lanier, giving the result
of this investigation. He there tells the story of ten Laniers
who enjoyed the personal favor of four consecutive English monarchs.
Jerome Lanier, he believed, had on account of religious persecution
fled from France to England during the last quarter of the sixteenth century
and "availed himself of his accomplishments in music to secure a place
in Queen Elizabeth's household." His son Nicholas Lanier
-- "musician, painter, engraver" -- was patronized successively
by James I, Charles I, and Charles II, wrote music
for the masks of Ben Jonson and Campion and for the lyrics of Herrick,