marks of distinction? The _Prasini_ and _Veniti,_[14] two most virulent
factions in Italy, began (if I remember right) by a distinction of
colours in ribbons, which we might do with as good a grace[15] about the
dignity of the blue and the green, and would serve as properly to divide
the Court, the Parliament, and the Kingdom between them, as any terms of
art whatsoever, borrowed from religion. And therefore I think, there is
little force in this objection against Christianity, or prospect of so
great an advantage as is proposed in the abolishing of it.

[Footnote 11: Margarita was a famous Italian singer of the day. Her name
was Francesca Margherita de l'Epine, and she was known as "the Italian
woman." In his "Journal to Stella" for August 6th, 1711, Swift writes:
"We have a music meeting in our town [Windsor] to-night. I went to the
rehearsal of it, and there was Margarita and her sister, and another
drab, and a parcel of fiddlers; I was weary, and would not go to the
meeting, which I am sorry for, because I heard it was a great assembly."
(See present edition, vol. ii. p. 219).

Mrs. Catherine Tofts was an Englishwoman, who also sang in Italian
opera. She had a fine figure and a beautiful voice. Steele in the
"Tatler," No. 20, refers to her when in her state of insanity. Her mind,
evidently, could not stand the strain of her great popularity, and she
became mad in 1709. In the "Tatler" she is called Camilla; and Cibber
also speaks of the "silver tone of her voice." [T.S.]]

[Footnote 12: By the Trimmers Swift referred to the nickname given to
the party in the time of Charles II., which consisted of those who
wished to compromise between the advocates of the Crown and the
supporters of the Protestant succession as against the Duke of York.
[T.S.]]