de Pisan should have considered the anecdote 'worthy of being immortalized
in a book.'"

[Illustration: "The New Born Infant." Shewing the interior of an Apartment
at the end of the 14th or commencement of the 15th century. (_From a
Miniature in "Histoire de la Belle Hélaine," National Library of Paris_)]


As we approach the end of the fourteenth century, we find canopies added
to the "chaires" or "chayers á dorseret," which were carved in oak or
chesnut, and sometimes elaborately gilded and picked out in color. The
canopied seats were very bulky and throne-like constructions, and were
abandoned towards the end of the fifteenth century; and it is worthy of
notice that though we have retained our word "chair," adopted from the
Norman French, the French people discarded their synonym in favour of its
diminutive "chaise" to describe the somewhat smaller and less massive seat
which came into use in the sixteenth century.

[Illustration: Portrait of Christine de Pisan, Seated on a Canopied Chair
of carved wood, the back lined with tapestry. (_From Miniature on MS., in
the Burgundy Library, Brussels._) Period: XV. Century.]

The skilled artisans of Paris had arrived at a very high degree of
excellence in the fourteenth century, and in old documents describing
valuable articles of furniture, care is taken to note that they are of
Parisian workmanship. According to Lacroix, there is an account of the
court silversmith, Etienne La Fontaine, which gives us an idea of the
amount of extravagance sometimes committed in the manufacture and
decorations of a chair, into which it was then the fashion to introduce
the incrustation of precious stones; thus for making a silver arm chair