Museum--Transition from Gothic to Renaissance--German carved work: the
Credence, the Buffet, and Dressoir.



Chapter III.

THE RENAISSANCE IN ITALY: Leonardo da Vinci and Raffaele--Church of St.
Peter, contemporary great artists--The Italian Palazzo--Methods of
gilding, inlaying and mounting Furniture--Pietra-dura and other
enrichments--Ruskin's criticism. THE RENAISSANCE IN FRANCE: Francois I.
and the Chateau of Fontainebleau--Influence on Courtiers-Chairs of the
time--Design of Cabinets--M.E. Bonnaffe on The Renaissance--Bedstead of
Jeanne d'Albret--Deterioration of taste in time of Henry IV.--Louis
XIII. Furniture--Brittany woodwork. THE RENAISSANCE IN THE NETHERLANDS:
Influence of the House of Burgundy on Art--The Chimney-piece at Bruges,
and other casts of specimens in South Kensington Museum. THE
RENAISSANCE IN SPAIN: The resources of Spain in the sixteenth and
seventeenth centuries--Influence of Saracenic Art--High-backed leather
chairs--The Carthusian Convent at Granada. THE RENAISSANCE IN GERMANY:
Albrecht Dürer--Famous Steel Chair of Augsburg--German seventeenth
century carving in St. Saviour's Hospital. THE RENAISSANCE IN ENGLAND:
Influence of Foreign Artists in the time of Henry VIII.--End of
Feudalism--Hampton Court Palace--Linen pattern Panels--Woodwork in the
Henry VII. Chapel at Westminster Abbey--Livery Cupboards at
Hengrave--Harrison quoted--The "parler"--Alteration in English
customs--Chairs of the sixteenth century--Coverings and Cushions of the
time, extract from old Inventory--South Kensington
Cabinet--Elizabethan Mirror at Goodrich Court--Shaw's "Ancient
Furniture"--The Glastonbury Chair--Introduction of Frames into