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The Doomswoman - An Historical Romance of Old California by Gertrude Franklin Horn Atherton
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A caballero serenaded his lady at midnight in Monterey.

The tinkle of a guitar, the jingling of spurs, fell among the strong
tones of a man's voice.

Chonita had been serenaded until she had fled to the mountains for
sleep, but she crept to the foot of the bed and knelt there, her
hand at her throat. A door opened, and, one by one, out of the black
beyond, five white-robed forms flitted into the room. They looked like
puffs of smoke from a burning moon. The heavy wooden shutters were
open, and the room was filled with cold light.

The girls waltzed on the bare floor, grouped themselves in
mock-dramatic postures, then, overcome by the strange magnetism of the
singer, fell into motionless attitudes, listening intently. How well
I remember that picture, although I have almost forgotten the names of
the girls!

In the middle of the room two slender figures embraced each other,
their black hair falling loosely over their white gowns. On the
window-step knelt a tall girl, her head pensively supported by her
hand, a black shawl draped gracefully about her; at her feet sat
a girl with head bowed to her knees. Between the two groups was a
solitary figure, kneeling with hand pressed to the wall and face
uplifted.

When the voice ceased I struck a match, and five pairs of little hands
applauded enthusiastically. He sang them another song, then galloped
away.
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