Punch, or the London Charivari, Volume 146, January 7, 1914 by Various
page 49 of 59 (83%)
page 49 of 59 (83%)
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To die in harness means to die married.
* * * * * AT THE PLAY. "THE POOR LITTLE RICH GIRL." EMERSON says somewhere that there are great ways of borrowing; that, if you can contrive to transmute base metal into fine, nobody will worry as to where you got your base metal from. But, when it is the other way about, I think you must not be surprised if people ask you where you lifted your gold. And the answer, in the case of Miss ELEANOR GATES, is that the nuggets were the property of LEWIS CARROLL. She has taken the sprightly and fantastic humour of _Alice in Wonderland,_ passed it through the alembic (if that is the word) of her American imagination, and the result is something that hardly lets you smile at all. It is not a typical product of native industry, but even that does not make it much easier for us to grasp the secret of its success over there. It would seem that nearly all Transatlantic humour, indigenous or adoptive, is apt, like certain wines, to suffer in the process of sea-transit. Her "Poor Little Rich Girl" is poor because her parents are too rich. Her father is too busy with finance and her mother with social climbing to spare time for their daughter's company, so they leave her to the care of governesses and menials. Her nurse, anxious for an evening out at a picture-palace, gives the child an overdose of sleeping-mixture, with the result that she nearly dies of it. In the course of delirious dreams she finds herself in the "Tell-Tale Forest" |
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