sweet and monotonous melody--a verse called "heroic," by courtesy, or on
the principle of contradiction, like _lucus a non lucendo_. In Waller,
however, his poems being all, without exception, rather short, you never
think of quarrelling with his uniformity of manner; and rise from his
lines as from a liberal feast of hot-house grapes, thankful, but feeling
that a _few more_ would have turned satisfaction into nausea. Yet you
feel, too, that perhaps his selection of small themes, and the
consequent curbing of his powers, have sprung from his fastidiousness in
the matter of versification. The sermons, the satires, the speeches, the
odes, and the didactic poems of the fastidious are generally _short_,
and do not, therefore, fully mirror the amplitude, or express the energy
of their genius. To his poem on the escape of Prince Charles, succeeded
that on the Prince, and two or three others of a similar kind; all
finding their inspiration, not as yet in that love of others which
animated his amatory effusions, but in that love to himself and his own
interest which marks the incipient courtier, who is beginning, in
Shakspeare's thought, to hang his knee upon "hinges," that it may bend
more readily to power. Yet his case shews that there is a certain
incompatibility between the profession of a courtier and that of a poet.
He often began his panegyrics with much fervour, but the fit passed, or
his fastidious taste produced disgust at what he had written, and it was
either not finished, or was delayed till the interest of the occasion
had passed away.

After the death of James I., Charles called a new parliament in 1625,
and in it Waller took his place for Chipping-Wycombe, a borough in
Buckinghamshire. This parliament met in London, but was adjourned to
Oxford on account of the Plague. In Oxford, it proved refractory to the
king's wishes, and refusing to grant him a tithe of the supplies which
he demanded, was summarily dismissed. Waller was not re-elected in 1626,