Stratagem" was very fetching; as Bucklaw in "Ravenswood" he looked
magnificent, and, of course, as the sailor hero in Adelphi melodrama he
was as good as could be. But it is as Thornhill that I like best to
remember him. He was precisely the handsome, reckless, unworthy creature
that good women are fools enough to love.

In the Court production of "Olivia," both my children walked on to the
stage for the first time. Teddy had such red cheeks that they made all
the _rouged_ cheeks look quite pale! Little Edy gave me a bunch of real
flowers that she had picked in the country the day before.

Young Norman Forbes-Robertson was the Moses of the original cast. He
played the part again at the Lyceum. How charming he was! And how very,
very young! He at once gave promise of being a good actor and of having
done the right thing in following his brother on to the stage. At the
present day I consider him the only actor on the stage who can play
Shakespeare's fools as they should be played.

Among the girls "walking on" was Kate Rorke. This made me take a special
interest in watching what she did later on. No one who saw her fine
performance in "The Profligate" could easily forget it, and I shall
never understand why the London public ever let her go.

It was during the run of "Olivia" that Henry Irving became sole lessee
of the Lyceum Theater. For a long time he had been contemplating the
step, but it was one of such magnitude that it could not be done in a
hurry. I daresay he found it difficult to separate from Mrs. Bateman and
from her daughter, who had for such a long time been his "leading lady."
He had to be a little cruel, not for the last time, in a career devoted
unremittingly and unrelentingly to his art and his ambition.