interested Henry Irving, but _Napoleon for his purpose_--two very
different things.

His concentration during his three months' study of the play which he
had in view was marvelous. When, at the end of the three-months, he
called the first rehearsal, he read the play exactly as it was going to
be done on the first night. He knew exactly by that time what he
personally was going to do on the first night, and the company did well
to notice how he read his own part, for never again until the first
night, though he rehearsed with them, would he show his conception so
fully and completely.

These readings, which took place sometimes in the greenroom or Beefsteak
Room at the Lyceum, sometimes at his house in Grafton Street, were
wonderful. Never were the names of the characters said by the reader,
but never was there the slightest doubt as to which was speaking. Henry
Irving swiftly, surely, acted every part in the piece as he read. While
he read, he made notes as to the position of the characters and the
order of the crowds and processions. At the end of the first reading he
gave out the parts.

The next day there was the "comparing" of the parts. It generally took
place on the stage, and we sat down for it. Each person took his own
character, and took up the cues to make sure that no blunder had been
made in writing them out. Parts at the Lyceum were written, or printed,
not typed.

These first two rehearsals--the one devoted to the reading of the play,
and the other to the comparing of the parts, were generally arranged for
Thursday and Friday. Then there was two days' grace. On Monday came the