concerned, from the back of the dress-circle. This, by the way, is an
excellent plan, and in theaters where it is followed the young actress
has reason to be grateful. In these days of greater publicity when the
press attend rehearsals, there may be strong reasons against the company
being "in front," but the perfect loyalty of all concerned would dispose
of these reasons. Now, for the first time, the beginner is able to see
the effect of the weeks of thought and labor which have been given to
the production. She can watch from the front the fulfillment of what she
has only seen as intention and promise during the other rehearsals. But
I am afraid that beginners now are not so keen as they used to be. The
first wicked thing I did in a theater sprang from excess of keenness. I
borrowed a knife from a carpenter and made a slit in the canvas to watch
Mrs. Kean as Hermione!

Devoted to her art, conscientious to a degree in mastering the spirit
and details of her part, Mrs. Kean also possessed the personality and
force to chain the attention and indelibly imprint her rendering of a
part on the imagination. When I think of the costume in which she
played Hermione, it seems marvelous to me that she could have produced
the impression that she did. This seems to contradict what I have said
about the magnificence of the production. But not at all! The designs of
the dresses were purely classic; but then, as now, actors and actresses
seemed unable to keep their own period and their own individuality out
of the clothes directly they got them on their backs. In some cases the
original design was quite swamped. No matter what the character that
Mrs. Kean was assuming, she always used to wear her hair drawn flat over
her forehead and twisted tight round her ears in a kind of circular
sweep--such as the old writing-masters used to make when they attempted
an extra grand flourish. And then the amount of petticoats she wore!
Even as Hermione she was always bunched out by layer upon layer of