To act for the first time in Shakespeare, in a theater where my sister
had already done something for our name, and before royalty, was surely
a good beginning.

From April 28, 1856, I played Mamilius every night for one hundred and
two nights. I was never ill, and my understudy, Clara Denvil, a very
handsome, dark child with flaming eyes, though quite ready and longing
to play my part, never had the chance.

I had now taken the first step, but I had taken it without any notion of
what I was doing. I was innocent of all art, and while I loved the
actual doing of my part, I hated the labor that led up to it. But the
time was soon to come when I was to be fired by a passion for work.
Meanwhile I was unconsciously learning a number of lessons which were to
be most useful to me in my subsequent career.


TRAINING IN SHAKESPEARE

1856-1859

From April 1856 until 1859 I acted constantly at the Princess's Theater
with the Keans, spending the summer holidays in acting at Ryde. My whole
life was the theater, and naturally all my early memories are connected
with it. At breakfast father would begin the day's "coaching." Often I
had to lay down my fork and say my lines. He would conduct these extra
rehearsals anywhere--in the street, the 'bus--we were never safe! I
remember vividly going into a chemist's shop and being stood upon a
stool to say my part to the chemist! Such leisure as I had from my