musician! She composed nearly all the music for her husband's plays.
Every Sunday there was music at Lavender Sweep--quartet playing with
Madame Schumann at the piano.

Tom Taylor was one of the most benign and gentle of men, a good and a
loyal friend. At first he was more interested in my sister Kate's career
than in mine, as was only natural; for, up to the time of my first
marriage, Kate had a present, I only a future. Before we went to Bristol
and played with the stock company, she had made her name. At the St.
James's Theater, in 1862, she was playing a small part in a version of
Sardou's "Nos Intimes," known then as "Friends and Foes," and in a later
day and in another version as "Peril."

Miss Herbert--the beautiful Miss Herbert, as she was appropriately
called--had the chief part in the play (Mrs. Union), and Kate, although
not the understudy, was called upon to play it at a few hours' notice.
She had from childhood acquired a habit of studying every part in every
play in which she was concerned, so she was as ready as though she had
been the understudy. Miss Herbert was not a remarkable actress, but her
appearance was wonderful indeed. She was very tall, with pale gold hair
and the spiritual, ethereal look which the aesthetic movement loved.
When mother wanted to flatter me very highly, she said that I looked
like Miss Herbert! Rossetti founded many of his pictures on her, and she
and Mrs. "Janie" Morris were his favorite types. When any one was the
object of Rossetti's devotion, there was no extravagant length to which
he would not go in demonstrating it. He bought a white bull because it
had "eyes like Janie Morris," and tethered it on the lawn of his home in
Chelsea. Soon there was no lawn left--only the bull! He invited people
to meet it, and heaped favors on it until it kicked everything to
pieces, when he reluctantly got rid of it.