into them individually some quality widely common to men in addition to
that limited quality they possess by their conception. Some touch of
weakness in an angel, some touch of pity in a devil, some unmerited
misfortune in an Ariel, bring them home to our bosoms; just as the
frailty of the hero, however great he be, humanizes him at a stroke.
Thus these abstract fragments also are reunited with humanity, with the
whole of life in ourselves.

Types, then, whether simple or complex, whether apparently physical or
purely spiritual, whether given fragmentary or as wholes of personality,
express human character in its essential traits. They may be narrow or
broad generalizations; but if to know ourselves be our aim, those
types, which show man his common and enduring nature, are the most
valuable, and rank first in importance; in proportion as they are
specialized, they are less widely interpretative; in proportion as they
escape from time and place, race, culture, and religion, and present man
eternal and universal in his primary actions, moods, and passions, they
appeal to a greater number and with more permanence; they become
immortal in becoming universal. To preserve this universality is the
essence of the type, and the degree of universality it reaches is its
measure of value to men. It is immaterial whether it be simple as Ajax
or complex as Hamlet, whether it be the work of imagination solely as in
Hercules, or have a historical basis as in Agamemnon; its exemplary
rendering of man in general is its substance and constitutor its
ideality.

Action, the second great branch of life, is generalized by plot. It
lies, as has been said, in the region of experience. Character, though
it may be conceived as latent, can be presented only energetically as it
finds outward expression. It cannot be shown in a vacuum. It embodies or