Heart of Man by George Edward Woodberry
page 90 of 191 (47%)
page 90 of 191 (47%)
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energy accumulated, as vital force is stored up and requires to be
loosed in bodily exercise; but this, except in the point that pity and terror, if they do accumulate in their particular forms latently, are specifically such as it is wise to be rid of, does not differentiate emotion from the rest of our powers in all of which there is a similar pleasure in exercising, an exhaustion and a relief, with less liability of immediate recurrence; this belongs to all expenditure of life. It is not credible to me that painful emotion, under the illusions of art, can become pleasurable in the common sense; what pleasure there is arises only in the climax and issue of the action, as in case of the drama when the restoration of the order that is joyful, beautiful, right, and wise occurs; in other words, in the presence of the final poetic justice or reconciliation of the disturbed elements of life. But here we come upon darker and mysterious aspects of our general subject, now to be slightly touched. Tragedy dealing with the discords of life must present painful spectacles; and is saved to art only by its just ending. Comedy, which similarly deals with discords, is endurable only while these remain painless. Both imply a defect in order, and neither would have any place in a perfect world, which would be without pity, fear, or humour, all of which proceed from incongruities in the scheme. Tragedy and comedy belong alike to low civilizations, to wicked, brutal, or ridiculous types of character and disorderly events, to the confusion, ignorance, and ignominies of mankind; the refinement of both is a mark of progress in both art and civilization, and foretells their own extinction, unless indeed the principle of evil be more deeply implanted in the universe than we fondly hope; pathos and humour, which are the milder and the kindlier forms of tragedy and comedy, must also cease, for both are equally near to tears. But before leaving this subject it is interesting to observe how in the Aristotelian scheme of tragedy, where it was little thought of, the appeal is made to man's whole nature as here |
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