A Volunteer Poilu by Henry Beston
page 68 of 155 (43%)
page 68 of 155 (43%)
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trench shells; answer--ten 'seventy-five' shells, eight mines, eighteen
trench shells; Poste B--two 'seventy-seven' shells, one mine, six grenades; answer--fifteen 'seventy-five' shells; Poste C--one 'two hundred and ten' shell, fifty mines; answer--sixty mines; Poste D--" At Dieulouard I had entered the shell zone; at Pont-à-Mousson, I crossed the borders of the zone of quiet; at Montauville began the last zone--the zone of invisibility and violence. Civilian life ended at the western end of the village street with the abruptness of a man brought face to face with a high wall. Beyond the village a road was seen climbing the grassy slope of Puvenelle, to disappear as it neared the summit of the ridge in a brown wood. It was just an ordinary hill road of Lorraine, but the fact that it was the direct road to the trenches invested this climbing, winding, silent length with extraordinary character. The gate of the zone of violence, every foot of it bore some scar of the war, now trivial, now gigantic--always awesome in the power and volition it revealed. One passed from the sight of a brown puddle, scooped in the surface of the street by an exploding shell, to a view of a magnificent ash tree splintered by some projectile. It is a very rare thing to see a sinister landscape, but this whole road was sinister. I used to discuss this sinister quality with a distinguished French artist who as a poilu was the infirmier, or medical service man, attached to a squad of engineers working in a quarry frequently shelled. In this frightful place we discussed la qualité du sinistre dans l'art (the sinister in art) as calmly as if we were two Parisian critics sitting on the benches of the Luxembourg Gardens. As the road advanced into the wood, there was hardly a wayside tree that had not been struck by a shell. Branches hung dead from trees, twigs had been lopped off by stray fragments, great trunks were split apart as if by lightning. "Nature as Nature is never sinister," said the artist; "it is when there is a |
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