The little man sat down at the piano, meditated a minute, and began to
play the rich chords of Rachmaninof's "Prelude." He got about half
through, when Zip-bang! a small shell burst down the street. The dark
fellow threw open the French window. The poilus were scurrying to
shelter. The pianist continued with the "Prelude."

Zip-bang! Zip-bang! Zshh--Bang--Bang. Bang-Bang!

The piano stopped. Everybody listened. The village was still as death.
Suddenly down the street came the rattle of a volley of rifle shots.
Over this sound rose the choked, metallic notes of a bugle-call. The
rifle shots continued. The ominous popping of machine guns resounded.
The village, recovering from its silence, filled with murmurs. Bang!
Bang! Bang I Bang! went some more shells. The same knowledge took
definite shape in our minds.

"An attack!"

The violinist, clutching his instrument, hurried down the stairs
followed by all the others, leaving the chords of the uncompleted
"Prelude" to hang in the startled air. Shells were popping
everywhere--crashes of smoke and violence--in the roads, in the fields,
and overhead. The Germans were trying to isolate the few detachments en
repos in the village, and prevent reinforcements coming from Dieulouard
or any other place. To this end all the roads between Pont-à-Mousson and
the trenches, and the roads leading directly to the trenches, were being
shelled.

"Go at once to Poste C!"