The clash of steel-shod soles against the rocks began to be heard, and
the man's voice grew louder. It was raised in a sort of chant and became
distinct with nearness, so that the words could be heard:

"Tu'n around an' tu'n yo' face
Untoe them sweet hills of grace
(D' pow'rs of sin yo' am scornin'!).
Look about an' look aroun'
Fling yo' sin-pack on d' groun'
(Yo' will meet wid d' Lord in d' mornin'!)."

'A sound of scrambling accompanied the song, and the spirit of the place
fled away on the heels of the red-coated buck. The green screen was
burst asunder, and a man peered out at the meadow and the pool and the
sloping side-hill. He was a deliberate sort of man. He took in the scene
with one embracing glance, then ran his eyes over the details to verify
the general impression. Then, and not until then, did he open his mouth
in vivid and solemn approval:

"Smoke of life an' snakes of purgatory! Will you just look at that! Wood
an' water an' grass an' a side-hill! A pocket-hunter's delight an' a
cayuse's paradise! Cool green for tired eyes! Pink pills for pale people
ain't in it. A secret pasture for prospectors and a resting-place for
tired burros. It's just booful!"

He was a sandy-complexioned man in whose face geniality and humor seemed
the salient characteristics. It was a mobile face, quick-changing to
inward mood and thought. Thinking was in him a visible process. Ideas
chased across his face like wind-flaws across the surface of a lake. His