A few feet back from his first line of test-pans he started a second
line. The sun dropped down the western sky, the shadows lengthened, but
the man worked on. He began a third line of test-pans. He was
cross-cutting the hillside, line by line, as he ascended. The center of
each line produced the richest pans, while the ends came where no colors
showed in the pan. And as he ascended the hillside the lines grew
perceptibly shorter. The regularity with which their length diminished
served to indicate that somewhere up the slope the last line would be so
short as to have scarcely length at all, and that beyond could come
only a point. The design was growing into an inverted "V." The
converging sides of this "V" marked the boundaries of the gold-bearing
dirt.

The apex of the "V" was evidently the man's goal. Often he ran his eye
along the converging sides and on up the hill, trying to divine the
apex, the point where the gold-bearing dirt must cease. Here resided
"Mr. Pocket"--for so the man familiarly addressed the imaginary point
above him on the slope, crying out:

"Come down out o' that, Mr. Pocket! Be right smart an' agreeable, an'
come down!"

"All right," he would add later, in a voice resigned to determination.
"All right, Mr. Pocket. It's plain to me I got to come right up an'
snatch you out bald-headed. An' I'll do it! I'll do it!" he would
threaten still later.

Each pan he carried down to the water to wash, and as he went higher up
the hill the pans grew richer, until he began to save the gold in an
empty baking powder can which he carried carelessly in his hip-pocket.