used. Great ladies crowd in through the gate when Raimondi's hymn is
to be sung, and disreputable artists make sketches surreptitiously
during the benediction, without the slightest pretence at any devotion
that I can see. The lights shine out more brightly as the day wanes,
and the incense curls up as the little boys swing the censers, and the
priests and canons chant, and the choir answers from the organ loft;
and the crowd looks on, some saying their prayers, some pretending to,
and some looking about for the friend or lover they have come to meet.

That evening when we went over together I found myself pushed against
a tall man with an immense gray moustache standing out across his face
like the horns of a beetle. He looked down on me from time to time,
and when I apologised for crowding him his face flushed a little, and
he tried to bow as well as he could in the press, and said something
with a German accent which seemed to be courteous. But I was separated
from Nino by him. Maestro Ercole sang, and all the others, turn and
turn about, and so at last it came to the benediction. The tall old
foreigner stood erect and unbending, but most of the people around him
kneeled. As the crowd sank down I saw that on the other side of him
sat a lady on a small folding stool, her feet crossed one over the
other, and her hands folded on her knees. She was dressed entirely in
black, and her fair face stood out wonderfully clear and bright
against the darkness. Truly she looked more like an angel than a
woman, though perhaps you will think she is not so beautiful after
all, for she is so unlike our Roman ladies. She has a delicate nose,
full of sentiment, and pointed a little downward for pride; she has
deep blue eyes, wide apart and dreamy, and a little shaded by brows
that are quite level and even, with a straight pencilling over them,
that looks really as if it were painted. Her lips are very red and
gentle, and her face is very white, so that the little ringlet that