former fairness and fineness of tissue, some vestiges of the physical
charms of her youth still survived.

M. Poiret was a sort of automaton. He might be seen any day sailing
like a gray shadow along the walks of the Jardin des Plantes, on his
head a shabby cap, a cane with an old yellow ivory handle in the tips
of his thin fingers; the outspread skirts of his threadbare overcoat
failed to conceal his meagre figure; his breeches hung loosely on his
shrunken limbs; the thin, blue-stockinged legs trembled like those of
a drunken man; there was a notable breach of continuity between the
dingy white waistcoat and crumpled shirt frills and the cravat twisted
about a throat like a turkey gobbler's; altogether, his appearance set
people wondering whether this outlandish ghost belonged to the
audacious race of the sons of Japhet who flutter about on the
Boulevard Italien. What devouring kind of toil could have so shriveled
him? What devouring passions had darkened that bulbous countenance,
which would have seemed outrageous as a caricature? What had he been?
Well, perhaps he had been part of the machinery of justice, a clerk in
the office to which the executioner sends in his accounts,--so much
for providing black veils for parricides, so much for sawdust, so much
for pulleys and cord for the knife. Or he might have been a receiver
at the door of a public slaughter-house, or a sub-inspector of
nuisances. Indeed, the man appeared to have been one of the beasts of
burden in our great social mill; one of those Parisian Ratons whom
their Bertrands do not even know by sight; a pivot in the obscure
machinery that disposes of misery and things unclean; one of those
men, in short, at sight of whom we are prompted to remark that, "After
all, we cannot do without them."

Stately Paris ignores the existence of these faces bleached by moral