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Bagh O Bahar, or Tales of the Four Darweshes by Mir Amman of Dihli
page 38 of 305 (12%)
were in waiting. I wondered greatly [at what I saw], but knowing it
to be mine own house, I entered, and perceived that elegant carpets
befitting every apartment, were spread in all directions, and rich
_masnads_ were laid out. _Betel_ boxes, _gulab-pashes, 'itr-dans,
pik-duns_ [145] flower pots, narcissus-pots, were all arranged in
order. In the recesses of the walls, various kinds of oranges and
confectionery of various colours were placed. On one side variegated
screens of _talk_, with lights behind them were displayed, and on
the other side tall branches of lamps in the shape of cypresses
and lotuses, were lighted up. In the hall and alcove camphorated
candles were placed in golden candlesticks, and rich glass shades were
placed over thorn; every attendant waited at his respective post. In
the kitchen the pots continued jingling; and in the _abdar-khana_
[146] there was a corresponding preparation; jars of water, quite
new, stood on silver stands, with percolators attached, and covered
with lids. Further on, on a platform, were placed spoons and cups,
with salvers and covers; _kulfis_ [147] of ice were arranged, and
the goglets [148] were being agitated in saltpetre.

In short, every requisite becoming a prince was displayed. Dancing
girls and boys, singers, musicians and buffoons, in rich apparel,
were in waiting, and singing in concert. I led the young merchant in,
and seated him on the _masnad_; [149] I was all amazement [and said
to myself] "O God, in so short a time how have such preparations been
made?" I was staring around and walking about in every direction,
but I could nowhere perceive a trace of the beautiful lady; searching
for her, I went into the kitchen, and I saw her there, with an upper
garment on her neck, slippers on her feet, and a white handkerchief
thrown over her head, plain and simply dressed, and without any jewels.

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