with snow-white hair, dark, flashing eyes, and a graceful bearing; it is
the Rev. Thomas Price, or, as his Welsh title has it, _Carnuhanawc_.
He is a thorough believer in the ultra-excellence of everything
Welsh,--Welsh music, Welsh flannels, Welsh scenery, Welsh mutton; and
so far as regards the latter, I am quite of his opinion. After a very
animated speech, he directs the competitors on the triple harp to stand
forward and begin a harmonious contest.

There are three,--an old blind man, a young man, and a girl some
fourteen years of age. Every one cheers the latter lustily, and "wishes
she may get it." So do I, of course; and I listen with great interest as
Miss Winifred Jenkins commences her performance, which she does without
blush or hesitation, and with quite an I-know-all-about-it sort of air.
I forget the particular piece the young lady played; but upon it she
extemporized so many variations, that long before she came to an ending
I had lost all remembrance of the text from which she had deduced her
melodious sermon. There was, I thought, more mechanical tact than
expression in her performance, but it was enthusiastically applauded for
all that; and with an awkward curtsy--much like Sydney Smith's little
servant-maid Bunch's "bobbing to the centre of the earth"--the
red-cheeked little harpist vanished.

Next came the young man; but several of the harp-strings at once snapped
in consequence of his fierce fingering, and he broke down amidst howls
of guttural disapprobation. So far as competition was concerned, he was,
in sporting parlance, nowhere!

The old blind gentleman followed, and I do not think that I ever
witnessed a more melancholy spectacle. Apollo playing on his stringed
instrument presents a very graceful appearance; but fancy a Welsh