The Italians by Frances Elliot
page 115 of 453 (25%)
page 115 of 453 (25%)
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Nera is triumphant. Nobili is her own! As she sits in that chair when he has placed her, she is positively radiant. Love has given an unknown tenderness to her eyes, a more delicate brilliancy to her cheeks, a softness, almost a languor, to her movements. (Look out, acknowledged _belle_ of Lucca--look out, Teresa Ottolini--here is a dangerous rival to your supremacy! If Nobili loves Nera as Nera believes he does--Nera will ripen quickly into yet more transcendent beauty.) Now Nobili has left Nera, seated in the chair. He is distributing the various ribbons among the dancers. As there are over a hundred couples, and there is some murmuring and struggling to secure certain ladies, who match certain ribbons, this is difficult, and takes time. See--it is done; again Nobili retires behind Nera's chair, to wait the moment when he shall claim her himself. How the men drag at the ribbons, whirling round and round, hand-in-hand!--Nera's small hand can scarcely hold them--the men whirling round every instant faster--tumbling over each other, indeed; each moment the ribbons are dragged harder. Nera laughs; she sways from side to side, her arms extended. Faster and more furiously the men whirl round--like runaway horses now, bearing dead upon the reins. The strain is too great, Nera lets fall the ring. The cavaliere claps his hands. Each gentleman rushes toward the lady wearing a rosette matching his ribbon. Nera rises. Already she is encircled by Nobili's arm. He draws her to him; she makes one step forward. Nera is a bold, firm dancer, but, unknown to her, the ribbons in falling have become entangled about her feet; she, is bound, she cannot stir; she gives a little scream. Nobili, startled, suddenly loosens his hold upon her |
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