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The Italians by Frances Elliot
page 115 of 453 (25%)

Nera is triumphant. Nobili is her own! As she sits in that chair
when he has placed her, she is positively radiant. Love has given
an unknown tenderness to her eyes, a more delicate brilliancy to her
cheeks, a softness, almost a languor, to her movements. (Look out,
acknowledged _belle_ of Lucca--look out, Teresa Ottolini--here is
a dangerous rival to your supremacy! If Nobili loves Nera as Nera
believes he does--Nera will ripen quickly into yet more transcendent
beauty.)

Now Nobili has left Nera, seated in the chair. He is distributing
the various ribbons among the dancers. As there are over a hundred
couples, and there is some murmuring and struggling to secure certain
ladies, who match certain ribbons, this is difficult, and takes time.
See--it is done; again Nobili retires behind Nera's chair, to wait the
moment when he shall claim her himself.

How the men drag at the ribbons, whirling round and round,
hand-in-hand!--Nera's small hand can scarcely hold them--the men
whirling round every instant faster--tumbling over each other, indeed;
each moment the ribbons are dragged harder. Nera laughs; she sways
from side to side, her arms extended. Faster and more furiously the
men whirl round--like runaway horses now, bearing dead upon the reins.
The strain is too great, Nera lets fall the ring. The cavaliere claps
his hands. Each gentleman rushes toward the lady wearing a rosette
matching his ribbon. Nera rises. Already she is encircled by Nobili's
arm. He draws her to him; she makes one step forward. Nera is a bold,
firm dancer, but, unknown to her, the ribbons in falling have become
entangled about her feet; she, is bound, she cannot stir; she gives
a little scream. Nobili, startled, suddenly loosens his hold upon her
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