Samantha at the St. Louis Exposition by Marietta Holley
page 91 of 252 (36%)
page 91 of 252 (36%)
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and anon by the glare of the tempest. It flows ever and anon smooth, and
then agin rough rocks of disappointment checks its swift glad flow, and what it calls despair, but which dwindles down into nothin' more than regret time and agin. It has its low tides, full of the sobbin' of waters that are flowin' back to the depths, and everything seems lost and gone. But anon the tide flows back again and so it goes on, storm and dull calm, sunshine and tempest, and they don't know which is the hardest to endure. That's why youth is so beautiful, so glorious, so tragic. How I wished I could take Molly (for I loved her) and lift her clear over the breakers into the calm of the deeper, smoother waters that the home going boat finds when it is nearing the nightfall. The calm waters lit by a light, soft and stiddy but sort o' sad like, not like the dancin' sunlight of the mornin', oh no! when the tired mariner looks back over the voyage and gits ready to cast anchor in the Home Haven. But I knowed I wuz onreasonable to even wish it, for grim old Experience must stand at the hellum every time in everybody's life, and folks hadn't ort to expect dyin' grace to live by; Molly had got to weather the storm of life whether or no and I couldn't help it. But to stop eppisodin' and resoom. I made a practice of writin' down mornings before I started for the Fair the places I wanted to see that day if the rest of the party consented, and I writ down that mornin' Liberal Arts, Fisheries, Educational Buildin', Electricity, Machinery, Transportation, Horticultural and Agricultural Buildin's and etcetery. Josiah wanted to know what etcetery meant, and I told him any other |
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