face; his hair was coal-black (though he was no longer young), and hung
in long ringlets over his neck and shoulders. He wore the handsomely cut
beard and moustache subsequently depicted in the portraits of Vandyke,
which suited the stern gravity of his countenance. Rich, though sober in
his attire, he always affected a dark colour, being generally habited in
a doublet of black quilted silk, Venetian hose, and a murrey-coloured
velvet mantle. His conical hat was ornamented with a single black
ostrich feather; and he carried a long rapier by his side, in the use of
which he was singularly skilful; being one of Vincentio Saviolo's best
pupils. Sir Giles was a little above the middle height, with a well
proportioned athletic figure; and his strength and address were such,
that there seemed good reason for his boast when he declared, as he
often did, "that he feared no man living, in fair fight, no, nor any two
men."

Sir Giles had none of the weaknesses of his partner. Temperate in his
living, he had never been known to commit an excess at table; nor were
the blandishments or lures of the fair sex ever successfully spread for
him. If his arm was of iron, his heart seemed of adamant, utterly
impenetrable by any gentle emotion. It was affirmed, and believed, that
he had never shed a tear. His sole passion appeared to be the
accumulation of wealth; unattended by the desire to spend it. He
bestowed no gifts. He had no family, no kinsmen, whom he cared to
acknowledge. He stood alone--a hard, grasping man: a bond-slave of
Mammon.

When it pleased him, Sir Giles Mompesson could play the courtier, and
fawn and gloze like the rest. A consummate hypocrite, he easily assumed
any part he might be called upon to enact; but the tone natural to him
was one of insolent domination and bitter raillery. He sneered at all