cannot be too soon abolished, and one that places the last unfortunate
visitor in a singularly awkward position. All that he can do is to
make a semicircular bow, like a concert singer before an audience, and
bear the general gaze with as much composure as possible.

If, when you enter a drawing-room, your name has been wrongly
announced, or has passed unheard in the buzz of conversation, make
your way at once to the mistress of the house, if you are a stranger,
and introduce yourself by name. This should be done with the greatest
simplicity, and your professional or titular rank made as little of as
possible.

An introduction given at a ball for the mere purpose of conducting a
lady through a dance does not give the gentleman any right to bow to
her on a future occasion. If he commits this error, he must remember
that she is not bound to see, or return, his salutation.

* * * * *

II.--LETTERS OF INTRODUCTION.


Do not lightly give or promise letters of introduction. Always
remember that when you give a letter of introduction you lay yourself
under an obligation to the friend to whom it is addressed. If he lives
in a great city, such as Paris or London, you in a measure compel
him to undergo the penalty of escorting the stranger to some of those
places of public entertainment in which the capital abounds. In any
case, you put him to the expense of inviting the stranger to his
table. We cannot be too cautious how we tax the time and purse of a