The Last Leaf - Observations, during Seventy-Five Years, of Men and Events in America and Europe by James Kendall Hosmer
page 70 of 258 (27%)
page 70 of 258 (27%)
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was not ordinarily over-delicate, concurred.
The practice of acting plays prevailed in the schools as well. The visitor to Windsor will remember in what peace, as seen from the great tower, beyond the smooth, dark Thames, the buildings of Eton lie among the trees. Crossing into the old town and entering the school precincts, where the stone stairways are worn by so many generations of young feet, and where on the play-ground the old elms shadow turf where so many soldiers and statesmen have been trained to struggle in larger fields, there is nothing after all finer than the great hall. In every age since the wars of the Roses, it has buzzed with the boisterous life of the privileged boys of England, who have come up afterward by the hundred to be historic men. There are still the fireplaces with the monogram of Henry VI., the old stained glass, the superb wood carving, the dais at the end. If there were no other memory connected with the magnificent hall, it would be enough that here, about 1550, was performed by the Eton boys, _Ralph Roister Bolster_, the first proper English comedy, written by Nicholas Udal, then head-master, for the Christmas holidays. He had the name of being a stern master, because old Tusser has left it on record that Udal whipped him,-- "for fault but small, or none at all." But the student of our old literature, reading the jolly play, will feel that, though he could handle the birch upon occasion, there was in him a fine genial vein. This was the first English comedy. The first English tragedy, too, _Gorboduc_, was acted first by students,--this time students of law of the Inner Temple,--and the |
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